James Joyce's "Araby" was the story of a boy who dreamed of a girl and a fair. He came to realize his dreams were not compatible with reality. In doing so, he passed out of childhood. The narrative describes the passage of dreams to reality; the passage of youth to adulthood. Children are dreamers; their imaginations allow them to play out fantasies in their minds.
Unfortunately, with maturation of an individual, the whimsy of youth is crushed by the contrasting realities of the world. James Joyce's story "Araby" focuses on this paradox between fantasy and reality.
The street that the boy lives on is a dead-end; he is literally trapped. Furthermore, he feels ignored by the houses on his street. Their "brown imperturbable faces make him feel excluded from the decent lives within them."
Every detail of his neighborhood seems designed to connote to him the feeling of isolation. The death of the priest in that story adds to the "darkness" that the boy experiences when he is thinking about Mangan's sister, as contrasted with the light he experiences when he is actually in her presence.
The boy just felt in general that there is some kind of supernatural power in a room where a priest has died. He used to go in the room where priest died. Whatever his reason was for going there, the element of the dead priest in this story definitely adds to the feeling that the boy's crush has taken on a religious significance
The boy's crush on Mangan's sister has been introduced, this dead priest's room takes on a very different character. It also shows how the crush has changed the boy's outlook on life. The boy's friends and their games have become distant, his school work has become unimportant, and the dead priest's room has become much more than a place to play...
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