In the early 1900s, particularly in the 1920s, African-American literature, art, music, dance, and social commentary began to flourish in Harlem, a section of New York City. This African-American cultural movement became known as "The New Negro Movement" and later as the Harlem Renaissance. More than a literary movement, the Harlem Renaissance exalted the unique culture of African-Americans and redefined African-American expression. African-Americans were encouraged to celebrate their heritage.
The main factors contributing to the development of the Harlem Renaissance were African-American urban migration after World War I, trends toward experimentation throughout the country, and the rise of radical African-American intellectuals.
The Harlem Renaissance transformed African-American identity and history, but it also transformed American culture in general. Never before had so many Americans read the thoughts of African-Americans and embraced the African-American community's productions, expressions, and style.
It probably had its foundation in the works of W.E. B. Du Bois, influential editor of The Crisis from 1910 to 1934; Du Bois believed that an educated Black elite should lead Blacks to liberation. He further believed that his people could not achieve social equality by emulating white ideals; that equality could be achieved only by teaching Black racial pride with an emphasis on an African cultural heritage. Although the Renaissance was not a school, nor did the writers associated with it share a common purpose, nevertheless they had a common bond: they dealt with Black life from a Black perspective.
The New Negro Has No Fear" - supporters of Marcus Garvey parade in Harlem during the U.N.I.A. convention in 1920
Among the major writers who are usually viewed as part of the Harlem Renaissance are Claude McKay, Countee Cullen, Langston Hughes, Zora Neale Hurston, Rudolph Fisher, James Weldon Johnson, and Jean Toomer.
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