Late 19th-century American writer Kate Chopin satirized women writers in three of her novels. The caricatures Chopin created included that of a woman burdened by housework and children who, nonetheless, strives to sharpen her fictional dexterity. The distinctive female writer, as depicted by Chopin, was enforced to make unaesthetic histrionic cloth for commercial reasons and therefore becomes discontented as her attempts to become a serious artist are aggravated by the demands of the marketplace. The much-anthologized "The Story of an Hour" (1894) is definitely Kate Chopin's best-known piece of short fiction.
Innumerable students, ranging from the very naive to the very classy, must have grappled with the story in discussions and essays. As all readers should see eye to eye, Louise Mallard receives a great shock, goes through a quick sequence of reactions, is in a sense awakened and then seems to drink in "a very elixir of life", and in conclusion receives another shock, a reversal, which proves lethal. Almost certainly equally clear to all or to most readers are Chopin's economy, the consequence of the open window and the spring setting, the power which she assigns to "self-assertion," and the bold spectacular sarcasm with which the story concludes. (Mary E. Papk)
Chopin explains that even within the limitations of an affectionate and loyal marriage, the woman as wife lacks distinctiveness and influence. In Mrs. Mallard's briefly illuminated situation, she understands that any tradition, whether kind or mean, that suggests the suppression and repression of individual feminine desires denies the identity of women. Without a doubt, Chopin demonstrates that Louise Mallard must act in response against the patriarchal society that constricts her to specific gender roles and confines her to certain behaviors if she is to define a self.
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