Troy brings his illegitimate baby, Raynell home for the first time at the beginning of the Act Two, Scene Three of Fences. Troy sits with his motherless baby on a porch where he once reigned, but now is an unwanted presence. Then, Troy sings the song, 'Please Mr. Engineer, let a man ride the line', which echoes the pleas of a man begging a train engineer to let him ride, in hiding, for free. Especially during the Harlem Renaissance the flourishing of African American artists, writers, poets, etc. in the first half of the Twentieth Century and during slavery times, respectively, trains were common literary devices in African American literature and music.
A character that rides a train or talks of trains, or even goes to a train station came to represent change. Trains represent the coming or arrival of a major change in a character's life. In Fences, Troy identifies with the blues song about riding the train. By singing this particular song, Troy's acknowledges that his actions caused the upheaval in the lives of his loved ones. Troy sings, 'Please Mr. Engineer let a man ride the line,' but in other words he is crying out to his wife, Rose to let him back into her home. Like the voice in the song, Troy is homeless and has nothing to offer the one he needs something from in order to keep going. Especially with a baby in hand, Troy has no future without his wife.
In order to come back into her life, Troy knows he is asking Rose to give him a free ride of forgiveness. If she does take him back, Troy knows life with her will never return to the life they once had together because he lost her trust and respect when he committed adultery. The train song also connotes the time Troy and many other men of his generation spent wandering North during the Great Migration.
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