As per theme of "Feldman Fieldmouse", Fieldmouse is visited by his uncle who teaches him to work. After that his uncle also takes him to take the risk of dancing particularly in the moonlight. In this fable Nathaniel Benchley has explored different dimensions of the life world. Author concern has been to concentrate, the term most intimately involved in the conceptualization of life as it is lived in Fieldmouse. Dancing, seen as an embodied but not unchangeable process, is already characterized by specific temporality which encompasses ancestral, historical, and personal time. Though Nathaniel Benchley has stressed the bodily nature of dancing throughout the book, Nathaniel Benchley has sought to make it clear that dancing is not the Fieldmouse term for a physical body. It would be more accurate to comprehend this term as 'being', provided that its essential condition is understood to be an active corporeality which may or may not be instantiated in material flesh (Nathaniel Benchley has compared, for example, the dancing of living people and that of spirits). Dancing, as we have seen, refers to the most secular habits of an individual as well as to the most complex collective ceremonies and rituals.
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