Joyce was a pioneer and a model for authors who believed in free written expression. Most of his works feature inventive language, and many of them have been criticized for being too obscure in their references or too blunt in their descriptions of intimate matters, including sexual activity. His writing evolved steadily from adolescent lyrics to precise vignettes to bold combinations of autobiography and satire. Most of his works deal with everyday life in 20th-century Dublin. Joyce once remarked that "the extraordinary is the province of journalists," and most of his writings concentrate on ordinary people, objects, and places.
Although Joyce renounced the Roman Catholic faith, his writings frequently refer to the rich tradition of the Church. He compared the artist and the writer to the priest, who performs certain social and aesthetic functions in a dramatic display. He also compared the literary use of symbols to the religious use of sacraments, which are the outward and visible representations of inward and invisible spiritual states. (One such sacrament is baptism, which represents the favor of God bestowed on an individual.) Joyce called some of his early sketches epiphanies; the term epiphany, often used in a religious context, means an understanding that comes about through a sudden intuitive realization. A Joycean epiphany is a small descriptive moment, action, or phrase that holds much larger meaning-for example, a single word or gesture that explains a person's entire personality.
The main character in "Araby" is also a young boy who lacks the level of mature reasoning required to escape the pressures of a conflict between emotions and reality. The "blind faith" that is followed in this case, however, is not a learned value but rather the silly, uncontrollable reactions of love: "Her name was like a summons to all my foolish blood".
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