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Essay on Computers and Interfaces in Home Music Production

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Essay on Computers and Interfaces in Home Music Production

As Web and multimedia firms broaden their service repertoires to stay competitive in today’s tight market, many of them are bringing music and sound production for their projects in-house. This is especially true of smaller companies that are operating on small budgets. Granted, it has been a few years since sound production was the sole domain of super-expensive and elite studios, but only recently has the quality of equipment and software been so good for so little money. Add to that a very easy learning curve for getting into it, and you can see why creative pros with musical inclinations are jumping on the bandwagon.

Of course this phenomenon centers around the same computer on which you push pixels or code around. Even a laptop (with a few caveats, of course) can transform into a virtual studio for performing versatile audio tasks. Just as with high-end graphic and video software, you need a powerful machine to run the latest and greatest audio applications. The fastest processor and the most RAM you can cram in your computer are great, but thankfully most of the software I’m covering in this review is forgiving or provides workarounds for those with less.

I am writing this article for a number of reasons. I personally have a great interest in music and sound production and have done it in a limited professional capacity. I know a number of creative professionals who are at least music hobbyists, and we always love to figure out a way to make a living out of doing something fun. I have also recognized a trend of Web/multimedia firms branching out into doing audio, whether it be for a specific medium or for cross-media campaign work. This also marks the advent of the AUDIO section of our product reviews, which will continue coverage of worthwhile audio software.....................

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